A.W. DAVEY
Saskatchewan Artist, Visual Historian, Illustrator and Mentor
1907-1986

WELCOME TO A. W. DAVEY
Saskatchewan Artist, Visual Historian, Illustrator and Mentor
A biography of Alf Davey with samples of his art and illustrations. Contact the author to learn more about A.W. Davey.
INTRODUCTION
It is thought by some people that Alf Davey was exclusively a salaried commercial artist. However, he was as much a true artist in the fine art sense as a career illustrator. Through both he served as a visual historian preserving the Saskatchewan way of life. His preferred art style was semi-realism in water colours, oils or brush and ink. The natural extension to this was Alf’s role in promoting a variety of fine art through public exhibitions. Also, his many students testify to him being a mentor of the visual arts.
A full view of any painting shown on this website can be seen in the "Gallery of Selected Works" at the end.

"Suitcase Farmer"
watercolour, 1964

"Saskatchewan Symbolism #4"
oil on linen

"Wascana Creek in Spring"
brush and ink
BACKGROUND
His Early Years
Alfred William Davey was born on March 9, 1907 at Countesthorpe, Leicestershire, England. He was the second oldest of four children. His parents, Frederick and Ethel (nee Marriott) Davey, moved the family every few years. Fred was a school teacher. In 1920 he made the move from Burnham Market, Norfolk to Canada. So Alf with his older brother Eric and Fred arrived at Saint John, New Brunswick on April 9, 1920. After an attempt to become a fruit farmer near Thorold, Ontario on the Niagara Peninsula, Fred felt compelled to resume his teaching career because the rest of his family in England were waiting to join him. A secure income was needed to support a family of six.
By late December of 1920 the family had relocated to Birmingham, Saskatchewan where Fred taught at Wilton School. During 1922 he taught in a country school south of Semans. In 1923 while Fred went on to teach at Fairmount Ethel decided to put down roots at Grasswood, a short distance from South Saskatoon. Being teenagers the children needed better education facilities. The family of five lived in a small four-room house behind Grasswood School. Alf was 16 years old when he started school at Nutana Collegiate, roughly a three-mile commute by bike. In the spring of 1926 he got his first paying job, a coal-hand at the South Saskatoon railway marshaling yard. He earned .25 cents an hour loading cinders into a wheelbarrow and dumping them in a big slough. It was while working here when Alf saw his first Silk Train. That summer he was hired to work on a rail-gang out of South Saskatoon. The work involved adjusting rail ties on the Canadian National Railway line across Saskatchewan to Bangor.
His Saskatoon Years
In 1926 the family moved home base to the Nutana District bordering Saskatoon where Fred rejoined them. In time Alf and Eric owned a 1917 Harley-Davidson motorcycle with sidecar and the two worked on farms around Grasswood. After Fred’s death in 1927 Alf was hired to take his father’s job as a gardener at the University of Saskatchewan in Saskatoon. He held this job until 1939 when he began work as a laboratory assistant in the Botany and Plant Pathology Division, Agriculture Canada. His duties were to look after the laboratory and greenhouse equipment. His last job in Saskatoon was with the Department of Field Husbandry, University of Saskatchewan.
Before marrying Christina May Estenson on December 26, 1935 Alf purchased a small home at 312 Ewart Avenue. Alan Bruce was born on March 30, 1937 and Keith William was born on July 18, 1942.
His Regina Years
In September 1942 Alf’s family of four moved to Regina, Saskatchewan where he worked at Regina Industries Limited as a draftsman designing tools and illustrating installation manuals for the British Admiralty. Alf’s starting wage was .55 cents per hour. One history book claims the company worked on “a secret weapon,” but no evidence has emerged. On July 9, 1945 Alf started working as a clerk/architectural draftsman/illustrator for the Saskatchewan Department of Co-operation and Co-operative Development. Correspondence indicates that the government had sought for over a year to employ Alf. On May 1, 1951 he was reclassified to a commercial artist with the Bureau of Publications. In January 1958 Alf’s position was reclassified to commercial art director. By then his department had been renamed Travel and Information Services and then renamed Industry and Information in 1960. On July 1, 1964 Alf took a disability retirement due to Rheumatoid Arthritis in his hands, concluding an 18-plus-year service with the provincial government. However, gold solution injections eventually improved mobility in his fingers. This coupled with free time allowed him to concentrate more on his fine art creations at home.
Alf Davey died on February 28, 1986, just nine days short of his 79th birthday. Burial took place at Riverside Memorial Park Cemetery, Regina.

untitled
watercolour

"Frozen Corn"
oil on linen

advertisement
brush and ink
EARLY TRAINING
The Journal of John Fontaine indicates that Alf’s 4th great-grandfather, John Fontaine, a young English soldier of the early 1700s, was “clever at drawing and delighted in sketching military fortifications...” Early in his youth Alf also showed the same natural flair for art. In England as a boy Alf often won first place awards in art competitions. While being taught by his father at Burnham Westgate Boys School he won a large box of coloured pencils, something he really wanted. However, his father desiring to avoid the appearance of favouritism gave the prize to the second place student. Alf never forgot that.
After immigrating and settling in Saskatoon, Saskatchewan Alf took winter art classes from A. F. (Gus) Kenderdine in 1924-25 and 1929-30. In 1931 he took a design and graphic art class from Ernest Lindner at the Saskatchewan Technical Institute and won a scholarship. Other classes in mechanical drawing followed. On December 4, 1934 Alf enrolled in a winter course at the Winnipeg School of Art conducted by Lionel Le Moine FitzGerald.

"Snow Fence"
watercolour

"Mulvey's Livery Barn"
oil on masonite, 1967

"Running Late"
brush and ink
EXPERIENCE
It is not known why the Davey family immigrated to Canada. However, it is known that they experienced a setback from the 1920’s urban lifestyle in England with such conveniences as indoor plumbing. In Canada outside the cities life was more difficult, particularly during the cold winters. The prairie countryside especially looked so bare. By 1942 Alf’s mother and three siblings had left Saskatchewan permanently for the Vancouver, British Columbia area. But something about this province appealed to Alf. The rural way of life was part of that something. He remained a resident of Saskatchewan all his life.
In 1926 when Alf was introduced to railway life then farm life, he found both fascinating. So much that he later said, “At this time I made some of my first pencil sketches of life in early Saskatchewan. Life was arduous but interesting. Many of these sketches proved valuable in later years as reference material for documentary paintings.” About this time Alf joined the Saskatoon Sketch Club and participated in local art exhibitions. After starting a full-time job as a gardener for the University of Saskatchewan in 1928 staff at the university gradually became aware of his talent. As a result, departments approached him to prepare illustrations for various publications. From then on freelance art work supplemented his salary.
By 1932 Alf Davey lived with his younger brother, Frank in a converted cook shack trailer also used as an art studio. One day university staff out for a walk on campus grounds encountered Alf sketching a scene during his lunch hour. They were impressed and suggested he pursue a career in art. In 1934 he enrolled with the Winnipeg School of Art. The enrollment fee was $12.00. Bear in mind that if school teachers were being paid $100.00 a month at that time, Alf’s monthly income was less. During the late 1930s Alf continued to accumulate experience through freelance artwork and participation in the Saskatoon art scene. In 1934-35 he served as president of the Saskatoon Art Students’ Association.
After moving to Regina in 1942 Alf immediately involved himself with the local fine art scene, thereby enhancing his experience. In addition to art instruction some of his accomplishments are:
From 1945 to 1947 he was the founding president of the Federation of Canadian Artists, Regina Branch.
In 1948 he chaired the Provincial Committee of the Federation of Canadian Artists. In this role he nurtured the growth of Saskatchewan fine art by helping found the Western Canadian Art Circuit through which paintings by distinguished international artists were shown throughout western Canada. Before formation of the circuit many traveling shows were too expensive for western Canadian art galleries and exhibitions. His own work often won awards in these shows. The National Federation disbanded in 1949 and the local branch was replaced by the Regina Federation of Artists. Alf was elected founding president.
On March 3, 1949 he was appointed to a committee of five by the mayor of Regina to study the curtailment of art activity at Regina College with the intention of erecting a college of art with an art gallery in accordance with the bequest of the late Norman Mackenzie. Norman’s donation of his valuable paintings and the committee’s work led to the formation of the Norman Mackenzie Art Gallery.
Throughout the 1950s he organized and managed the yearly fine art show at the Regina Exhibition.
In 1961 Alf assembled and directed the first exhibition of Saskatchewan civil servant’s Art. It became an annual event for many years. The object was to encourage, develop and exhibit the artistic talent of members of the Saskatchewan Government Employees’ Association of Artists; and
In 1980 he became a member of the Rosemont Art Gallery Society.

University of Saskatchewan campus
pen and ink, 1937

university lane
pen and ink

university's "Grey Gables"
pen and ink, 1936
HONOURS, AWARDS, RECOGNITION AND COMMISSIONS
In 1931 Alf Davey won a scholarship at the Saskatchewan Technical Institute in Saskatoon.
During the latter half of the 1930s decade his sketches of campus buildings and various artworks were published in the University of Saskatchewan’s 1936, 1937 and 1938 editions of the Greystone Yearbook.
In 1939 Alf was commissioned to design a cloak worked in beads by the Mistiwasis Indians which was presented to King George VI by the government of Saskatchewan.
About 1950 Alf was appointed official portraitist for the Saskatchewan Dairy Association, a position he retained until 1981. The assignment eventually encompassed eleven portraits of dairy officials that now hang in the association’s hall of fame at the North Battleford Western Development Museum.
In October 1958 he was recommended for a senior art fellowship from the Canada Arts Council.
In 1963 the Regina Diamond Jubilee Committee selected his design for a medallion used to commemorate the city’s 60th anniversary. Sixty thousand coins were distributed.
On July 6, 1964 Alf was proclaimed “Citizen of the Day” by Regina’s radio station CKRM.
Alf’s symbol-crest design was chosen for the twin celebrations of Saskatchewan’s 60th birthday in 1965 and Canada’s centennial in 1967. It drew high praise and was used extensively. One newspaper editorial suggested it “may be an appropriate design for a new Saskatchewan flag.”
Also, as a private centennial project of 1967 he produced a collection of nine documentary paintings entitled, Life in Saskatchewan’s Past. The collection was chosen for display in the Assiniboine Gallery of the Legislative Building for the visit of Princess Alexandra. It remained there for four years.
In 1975 Alf was commissioned by the former Houston Willoughby Company of Regina to paint 12 scenes of historical Saskatchewan for the company’s 50th anniversary calendar.
In 1977 Alf was commissioned to prepare the congratulatory message from the legislative assembly of Saskatchewan to Queen Elizabeth II on the 25th anniversary of her reign; and
In August 1978 he was the honoured guest artist at the Regina Exhibition.

Winnipeg School of Art
sample, 1935

U of S Greystone Yearbook art sample

Sask. Dairy Association
charcoal portrait sample

Hall of Fame
charcoal portrait sample
THE ARTIST IN THE FINE ART SENSE
One dictionary definition of fine art is “a visual art considered to have been created primarily for aesthetic and intellectual purposes and judged for its beauty and meaningfulness, specifically painting, sculpture, drawing, watercolour, graphics, and architecture.”
Davey paintings of Saskatchewan have won wide acclaim and appeared in leading Canadian publications, traveling shows and American exhibitions. He is represented in private collections in Canada and abroad. Alf believed that the province offers a tremendous challenge to the artist with its vast wide open spaces and varying moods. He attempted to interpret these moods in a semi-realistic style using low horizons and composition that brings out a sense of the dramatic. He tried to capture the reality of Saskatchewan life as well as record the vestiges of our prairie past with a “wonder who lived and loved there feeling.”
His media, style and subject matter are oil, watercolour, acrylic, ink, charcoal, pencil, woodcut, calligraphy, scroll illumination, representational, symbolic, still life, landscape, portrait, and history. His painting sizes average 16x20 inches for watercolours, 24x30 inches for oils and 10x12 inches for brush and ink.






Three of twelve watercolour paintings prepared for the former Houston Willoughby Company in 1975 for its 50th anniversary calendar. Original paintings now part of RBC Wealth Management Dominion Securities' private collection in Regina. Click on scrolling image for full view.
THE COMMERCIAL ARTIST OR ILLUSTRATOR
Commercial art can be defined as “graphic art created specifically for commercial uses, especially for advertising, illustrations in magazines or books, or the like.”
Alf Davey was renowned for promoting Saskatchewan on the world scene through commercial art between 1945 and 1964, primarily under the Tommy Douglas administration. He prepared many types of publications and displays for a variety of government departments and provincial agencies. His skill in calligraphy and scroll illumination proved valuable many times. Through his art he often spoke for the province and the influence of his work spread far beyond its boundaries. He designed and illustrated numerous brochures for the government, several winning awards. For example, at a literature exhibition at San Diego, California, the American Industrial Development Council adjudged one of his brochures, Saskatchewan Pulp and Paper Potential (800-8-61) “Best of Class” and “Best of Exhibit.” There was no higher award for industrial development literature.
A modest man, Alf Davey confessed that an assignment for celebrating the province’s 50th anniversary was the biggest task he had undertaken. It was illustrating the book, Saskatchewan – The History of a Province. This involved the preparation of 115 illustrations and maps. A condensed junior edition for schools entitled, The Story of a Province was also published. Other assignments that he undertook for the Golden Jubilee Committee were the illustrations for the cookbook, Saskatchewan Homemakers’ Kitchens and a colourful map of historical Saskatchewan. All were widely circulated. The Golden Jubilee’s official emblem was also designed by Alf and given the greatest possible use by the committee.








Samples of hundreds of Saskatchewan government brochures, booklets, books and maps prepared by Alf Davey for public use. Click on scrolling image for full view.
THE MENTOR
As stated earlier, when Alf moved to Regina at age 35 in 1942 he immediately involved himself with the local art scene. Eventually art instruction occupied a large part of his activity. His many students gave him high ratings for helpful instruction which testify to him being a mentor of the visual arts. Some of his many classes over the years are:
From 1946 to 1949 he taught night commercial art classes at the Regina College of the University of Saskatchewan.
On April 3, 1971 Alf conducted a workshop and addressed the City Art League at Minot, North Dakota.
From 1971 until 1979 he instructed in oil and watercolour painting at the University of Regina, Extension Department, conducting community college workshops throughout southern Saskatchewan; and
Right into the early 1980s recreational artists approached Alf at his home to critique their works of art. Eventually some became well-known accomplished artists.

"Breaking Plow"
watercolour and ink

"Prairie Sentinels"
abstract oil on masonite, 1963

"Edenwold"
brush and ink
HIS LEGACY
Simply stated, Alf Davey’s legacy is the documentation of Saskatchewan history through visual art and the efforts to inspire his many students to develop their artistic talent.

Preparing for the Provincial Jubilee celebration in 1955.

Working plein-air.

Coaching aspiring artists during the 1970s.
SELECTED BIBLIOGRAPHY
For more information on the life and art of Alfred William Davey please see the following publications:
Saskatchewan History magazine by Saskatchewan Archives, 2015 spring/summer edition containing the article, “A.W. Davey: Artist and Visual Historian” by Verna Gallen. Pages 4, 36 to 43. Also covers.
The Davey Family History by Keith W. Davey in August 2015. On file with the Saskatchewan Archives, Regina Branch. (Life story, 14 pages)
Bells, Books & Blackboards by Keith W. Davey in 2009. On file with the Alex Youck School Museum, Regina Public School Board Office, 1600 4th Avenue and the Saskatchewan Teachers’ Federation Archives, Saskatoon. Pages 161 to 201. (Early life history)
Bulletin magazine by the Saskatchewan Genealogical Society, March 1998 edition containing the article, “Everyone Has a Story to Tell” by Keith W. Davey. Pages 31 to 34. (Story and photograph)
Biographical Dictionary of Saskatchewan Artists – Men Artists by Marketa Newman in 1994. Pages 62 and 63. (Includes solo and group exhibitions and major collections of Davey paintings); and
As They See It - Canadian Artists in their Landscape by the University of Saskatchewan Alumni Association and the Art Committee of Council in 1977. Pages 12 and 13. (Story and artwork)
A total of 138 different articles about Alf Davey have been published in various newspapers. Listed below are some documented articles that may be accessed on the Internet:
“Prominent local artist dies” – March 4, 1986 edition of the Regina Leader-Post (Story and photograph)
“Canadian artist guest speaker at annual art award banquet”- March 27 and April 5, 1971 editions of the Minot Daily News, North Dakota. (Story and photograph)
“Symbol portrays province’s life”- July 30, 1964 edition of the Regina Leader-Post. (Story and photograph)
“Prominent Saskatchewan artist retiring”- July 2, 1964 edition of the Saskatoon Star-Phoenix. (Story and photograph)
“Crest for twin celebration”- June 20, 1964 edition of the Regina Leader-Post. (Story)
“Saskatchewan’s symbol-crest”- June 2, 1964 edition of the Saskatoon Star-Phoenix. (Story)
“Regina artist nationally known”- May 25, 1961 edition of the Regina Mirror. (Story and photograph)
“The Jubilee map”- September 1, 1955 edition of the Grenfell Sun. (Story)
“Jubilee theme in art display”- July 8, 1955 edition of the Regina Leader-Post. (Story and artwork)
“Saskatchewan-Its origin and its growth”- May 16, 1955 Jubilee edition of the Regina Leader-Post. (Story)
“The history of a province”- May 13, 1955 edition of the Moose Jaw Times-Herald. (Story and artwork)
“Saskatchewan Golden Jubilee histories nearing completion”- August 21, 1954 edition of the Moose Jaw Times-Herald. (Story and photographs); and
“Bold design, gay color noted in art display”- November 9, 1945 edition of the Regina Leader-Post. (Story)
This website created by Keith W. Davey in 2017 in recognition of Canada’s 150th birthday celebration.
Comments and questions are welcome.
GALLERY OF SELECTED WORKS
To see full painting - click on large scrolling image.
![]() "The Stragglers"Watercolour | ![]() "Suitcase Farmer"Watercolour, 1964 | ![]() "Saskatchewan Symbolism #4"Oil on linen |
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![]() "Wascana Creek in Spring"Brush and ink | ![]() UntitledWatercolour | ![]() "Frozen Corn"Oil on linen |
![]() Birk's advertisementBrush and ink | ![]() "Snow Fence"Watercolour | ![]() "Mulvey's Livery Barn"Oil on masonite, 1967. Collection of Gerald Hauck in Regina. |
![]() "Running Late"Brush and ink | ![]() University of Saskatchewan campus scene.Pen and ink, 1937 | ![]() University lanePen and ink, 1937 |
![]() University's "Grey Gables"Pen and ink, 1936 | ![]() Winnipeg School of Art sample.Pencil, 1934 | ![]() U of S Greystone Yearbook sample.Pen and ink |
![]() Sask. Dairy Assoc. Hall of FameCharcoal portrait sample. | ![]() Sask. Dairy Assoc. Hall of FameCharcoal portrait sample. | ![]() The Bennett BuggyWatercolour painting prepared for the former Houston Willoughby Company in 1975 for its 50th anniversary calendar. Original painting in collection of RBC Wealth Management Dominion Securities in Regina. |
![]() First Saskatchewan mail flight.Watercolour painting prepared for the former Houston Willoughby Company in 1975 for its 50th anniversary calendar. Original painting in collection of RBC Wealth Management Dominion Securities in Regina. | ![]() Steam harvestingWatercolour painting prepared for the former Houston Willoughby Company in 1975 for its 50th anniversary calendar. Original painting in collection of RBC Wealth Management Dominion Securities in Regina. | ![]() Industrial art sample. |
![]() Saskatchewan Diamond Jubilee symbol-crest design. | ![]() Working together booklet cover.The Story of Farm Organization in Saskatchewan. | ![]() Dust jacket for history book.The History of a Province, 1955. |
![]() "Breaking Plow"Watercolour and ink | ![]() "Prairie Sentinels"Abstract oil on masonite, 1963. Collection of Peter Morgan and Maria Correia.. | ![]() "Edenwold"Brush and ink. |
![]() Alf's calligraphy and scroll illumination, 1951.Watercolour and pen and ink. | ![]() "Old Stockade"Brush and ink, 1979. | ![]() Tiger lilies - Saskatchewan's flower.Watercolour and pen and ink. |
![]() "In Winter's Grip"Brush and ink. | ![]() "The Stooker"Brush and ink on scratchboard. | ![]() Alf, the farm worker - c1926 |
![]() Working at the U of S as a gardener - c1930. | ![]() Alf's cook shack home and art studio - c1932. | ![]() Sketching outdoors - 1937. |
![]() On a government assignment - 1957. | ![]() Working in his home studio - c1970. | ![]() One of 12 commissioned paintings - 1975. |
![]() Frozen corn.jpg | ![]() Wheels.jpg |